~AbanDoned X-preSsionz | Exploring Hypertext Journaling~ by Carla

Recently Read "The Nose"

After my last post { Me, A Bibliophile } I decided to post this first chapter of one of my favorite authors Nikolai Gogol, who serves up the nasal story of a "nose" who decides to cut lose from its owner's face to wander around Moscow. It's one of the funniest stories I've read but there is a moral embedded within.

{ THE NOSE: }

On March 25th there took place, in Petersburg, an extraordinarily strange occurrence. The barber Ivan Yakovlevich, who lives on Voznesensky Avenue (his family name has been lost and even on his signboard, where a gentleman is depicted with a lathered cheek and the inscription “Also bloodletting,” there is nothing else)—the barber Ivan Yakovlevich woke up rather early and smelled fresh bread. Raising himself slightly in bed he saw his spouse, a rather respectable lady who was very fond of drinking coffee, take some newly baked loaves out of the oven.

“I won’t have any coffee to-day, Praskovya Osipovna,” said Ivan Yakovlevich. “Instead, I would like to eat a bit of hot bread with onion.” (That is to say, Ivan Yakovlevich would have liked both the one and the other, but he knew that it was quite impossible to demand two things at once, for Praskovya Osipovna very much disliked such whims.) “Let the fool eat the bread; all the better for me,” the wife thought to herself, “there will be an extra cup of coffee left.” And she threw a loaf onto the table.

For the sake of propriety Ivan Yakovlevich put a tailcoat on over his shirt and, sitting down at the table, poured out some salt, got two onions ready, picked up a knife and, assuming a meaningful expression, began to slice the bread. Having cut the loaf in two halves, he looked inside and to his astonishment saw something white. Ivan Yakovlevich poked it carefully with the knife and felt it with his finger. “Solid!” he said to himself. “What could it be?”

He stuck in his finger and extracted—a nose! Ivan Yakovlevich was dumb-founded. He rubbed his eyes and felt the object: a nose, a nose indeed, and a familiar one at that. Ivan Yakovlevich’s face expressed horror. But this horror was nothing compared to the indignation which seized his spouse.

"You beast, where did you cut off a nose?” she shouted angrily. “Scoundrel! drunkard!I’ ll report you to the police myself. What a ruffian! I have already heard from three people that you jerk their noses about so much when shaving that it’s a wonder they stay in place.”

But Ivan Yakovlevich was more dead than alive. He recognized the nose as that of none other than Collegiate Assessor Kovalyov, whom he shaved every Wednesday and Sunday.

“Hold on, Praskovya Osipovna! I shall put it in a corner, after I’ve wrapped it in a rag: let it lie there for awhile, and later I’ll take it away.”

“I won’t even hear of it. That I should allow a cut-off nose to lie about in my room? You dry stick! All he knows is how to strop his razor, but soon he’ll be in no condition to carry out his duty, the rake, the villain! Am I to answer for you to the police? You piece of filth, you blockhead! Away with it! Away! Take it anywhere you like! Out of my sight with it ”

Ivan Yakovlevich stood there as though bereft of senses. He thought and thought—and really did not know what to think. “The devil knows how it happened,” he said at last, scratching behind his ear with his hand. “Was I drunk or wasn’t I when I came home yesterday, I really can’t say. Whichever way you look at it, this is an impossible occurrence. After all, bread is something baked, and a nose is something altogether different. I can’t make it out at all.”

Ivan Yakovlevich fell silent. The idea that the police might find the nose in his possession and bring a charge against him drove him into a complete frenzy. He was already visualizing the scarlet collar, beautifully embroidered with silver, the saber—and he trembled all over. At last he got out his underwear and boots, pulled on all these tatters and, followed by rather weighty exhortations from Praskovya Osipovna, wrapped the nose in a rag and went out into the street.

He wanted to shove it under something somewhere, either into the hitching-post by the gate—or just drop it as if by accident and then turn off into a side street. But as bad luck would have it, he kept running into people he knew, who at once would ask him, “Where are you going?” or “Whom are you going to shave so early?” so that Ivan Yakovlevich couldn’t find the right moment.

Once he actually did drop it, but a policeman some distance away pointed to it with his halberd and said: “Pick it up—you’ve dropped something there,” and Ivan Yakovlevich was obliged to pick up the nose and hide it in his pocket. He was seized with despair, all the more so as the number of people in the street constantly increased when the shops began to open.

He decided to go to St. Isaac’s Bridge—might he not just manage to toss it into the Neva? But I am some- what to blame for having so far said nothing about Ivan Yakovlevich, in many ways a respectable man.

Like any self-respecting Russian artisan, Ivan Yakovlevich was a terrible drunkard. And although everyday he shaved other people's chins his own was ever unshaven. Ivan Yakovlevic's tailcoat (Ivan Yakovlevich never wore a frockcoat) was piebald, that is to say, it was all black but dappled with brownish-yellow and gray; the collar was shiny, and in place of three of the buttons hung just the ends of thread. Ivan Yakovlevich was a great cynic, and when Collegiate Assessor Kovalyov told him while being shaved, “Your hands, Ivan Yakovlevich, always stink,” Ivan Yakovlevich would reply with the question, “Why should they stink?” “I don’t know, my dear fellow,” the Collegiate Assessor would say, “but they do,” and Ivan Yakovlevich, after taking a pinch of snuff, would, in retaliation, lather all over his cheeks and under his nose, and behind his ear, and under his chin—in other words, wherever his fancy took him.

This worthy citizen now found himself on St Isaac's Bridge. To begin with, he took a good look around, then leaned on the railings as though to look under the bridge to see whether or not there were many fish swimming about, and surreptitiously tossed down the rag contain-ing the nose. He felt as though all of a sudden a ton had been lifted off him: Ivan Yakovlevich even smirked. Instead of going to shave some civil servants’ chins he set off for an establishment bearing a sign “Snacks and Tea” to order a glass of punch when he suddenly noticed, at the end of the bridge, a police officer of distinguished appearance, with wide sideburns, wearing a three-cornered hat and with a sword. His heart sank: the officer was wagging his finger at him and saying, “Step this way, my friend.”

Knowing the etiquette, Ivan Yakovlevich removed his cap while still some way off, and approaching with alacrity said, “I wish your honor good health.”

“ No, no, my good fellow, not ‘your honor.’ Just you tell me, what were you doing over there, standing on the bridge?”

“Honestly, sir, I’ve been to shave someone and only looked to see if the river were running fast.”

“You’re lying, you’re lying. This won’t do. Just be so good as to answer."

"I am ready to shave your worship twice a week, or even three times, and no complaints,” replied Ivan Yakovlevich.

“No, my friend, all that’s nonsense. I have three barbers who shave me and deem it a great honor, too. Just be so good as to tell me, what were you doing over there?”

Ivan Yakovlevich turned pale. … But here the whole episode becomes shrouded in mist, and of what happened subsequently absolutely nothing is known.

If interested, you may continue the story { HERE } translated from Russian to English by John Cournos.

Me, A Bibliophile?

A. I am a { Bibliophile } .

B. I believe in the transformative power of books.

C. My philosophy is ingrained within this self-created quote:

"Show me your books and I'll tell you who you are."

C. Books are the "essence" of me. I am in a large part, a product of the books I read.

Been sorting through my book collection lately, trying to categorize and place things in some kind of order for easy reference.

There's not enough space. There never is. Floor space all used up, the nightstand out of space and I dare not stack anymore on the floor in the passageway.

Including the afore mentioned stacks, both book shelves are jam packed. The collection includes horror, sci-fi, political science, medical, history, fairie tales, mythology, technical & programming, self-help & how to, spirituality, various versions of the Holy Bible, mysteries, philosophy, psychology, magazines and personal journals I once started and packed away--now weathered by time. I can't bring myself to throw them out.

A friend eyes them and tells me that I need to let go of the past and rid myself of things I haven't used in years and most likely will never use again."You're too sentimental!" he accuses. "Always holding on to the past!"

Me, throw away my books! unheard of! I even hate to lend them out. In fact, I've been know to offer my friends the money to purchase a book they have seen in my collection and have asked to read, rather than lend it to them.

I agree with you--I'm pretty stingy when it comes to my books and that side of me has lately extended to my now ever growing collection of music and software CD's thanks to { Amazon.com }but even with these I am less stingy.

Why am I like this with my books? Well, I have this theory--my books are a "map" of my growth. They illustrate I believe, my mental, spiritual and emotional evolution over the years. There's an adage that says "show me your friends and I'll tell you who you are" and while my friends tend to be people who are avid readers or writers I feel in my case that my books will tell you who I am and how I tend to think.

As such, when in the past, I have loaned my books to friends which were not returned I went through a kind of depression, a mourning. It was as if a part of myself had been taken away and was lost forever. The books can be replaced of course but it's not the same.

It's just not the same! I tend to scribble all over the pages--dates, moments of discovery, epiphany, enlightenment, or complete misunderstandings are highlighted where necessary on the various pages. Notes to self , to author, questions, answers, thoughts and so forth represents my growth.

The look and feel of the book, how it ages with time, it's scent, a coffee ring imprinted upon a page, crumbs from a cookie or muffin I may have been snacking on at some point while I read the book, sketches and other marginal doodles serve as reminders about what I may have been doing or thinking back when I read the book. When the books are gone, those visual etchings of imprinted pleasures and the memories embedded within them are gone forever.

Besides all that however, books offer me a way to escape and to make if not physical, but mental contact with other cultures. They influence not only how I think but my writing as well .

Now my questions to you are:

1. Do you yourself collect books?

2. Do you think they have little or no effect or significance in your life? I'm just curious to know how others feel on this subject. Speak to me!

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